Amarjit Chandan’s review of Rajinder Rahi’s book about Paash

amrjIq cMdn

pfÈ df hoxf

ijQy pfÈ rihMdf hY[ rfijMdr rfhI[ lokgIq[ sÌy 147[ muwl[ 150 rupey[ 2008[

ISBN 81-7142-417-1

rfijMdr rfhI dI ieh ikqfb sMn 1970-1990 dy pUrbI pMjfb dy do dhfikaF df smfjI-

isafsI ieiqhfs hY. ieh pMjfbI bMdy qy pfÈ ƒ smJx dI kuMjI hY. sMjm, vyg qy dlIl

rfijMdr rfhI dI ilKq df sfr hY

pfÈ ƒ pUry hoieaF vIh sfl ho gey hn. pfÈ dI iËMdgI (rcnf) aqy mOq sdkf iehdy ijMnI

soBf hor iksy dI nhI hoeIN. iehdy bfry CpIaF axigxq ikqfbF ivc rfijMdr rfhI dI ilKI

ikqfb ijQy pfÈ rihMdf hY ies gwloN invyklI hY ik ies ivc Aus bMdy dI vfrqf hY, ijhny kdy

dyvqf bxn dI koiÈÈ nhIN sI kIqI. (sÌf 95)

mYƒ qF ieh gwl cMgI lwgxI hI hY ik lyKk ny ies ikqfb df nF myrI kivqf ieQy pfÈ

rihMdf hY dI rIsy rwiKaf hY. ieh kivqf mYN jnvrI 1988 ivc kYilÌornIaf pfÈ dI BYx dy Gr

bYiTaF ilKI sI. pfÈ EdoN apxy ipMz igaf hoieaf sI aqy iqMn mhIinaF ipwCoN ÉfilsqfnIaF ny

Auhƒ kql kr dyxf sI. vIh sfl pihlF ilKI apxI kivqf mYƒ ‘purfxI’ nhIN lwgI; iehdy ivc

pfÈ dy hox df rhws vDyry hY aqy Èfied myrI kivqf dI kfrIgrI Gt.

iek sO sMqfÜI siÌaF dI ies ikqfb dy iqMn KMz hn – pihly KMz ivc pfÈ dI jMmx-BoieM

qlvMzI slym dy drÈn huMdy hn. dUjy ivc pfÈ dy aqy iehdy dosqF dy dfrU-drÈn aqy qIsry ivc

‘cusq druwsq Cupy hoey icMqk’ ‘gurbIr isMG’ dIaF iswDy lwly vfÜIaF PYlsUPIaF hn.

pihlf KMz ies ikqfb df hfisl hY, ijhƒ aMgryËI ivc ‘rIal trIt’ afKIdf hY. dUjf qy

qIjf KMz qF myrf dyiKaf-jfixaf hY, pr pihly ivc rfhI ny hux dy vyly ƒ bIqy aqy BivwK nfÜ

AuWn dIaF slfeIaF hfr ijvyN buixaf hY, Auh sMjmI klf pMjfbI nsr ivc durlwB hY. rfhI ny

qlvMzI slym jf ky iek-do idhfVIaF c hI pfÈ df bcpn qoN lY ky jvfnI qk df sfrf jIvn aqy

kuJ kivqfvF dy icqvy ipCokV ƒ isnymfeI ivDI nfÜ ieMj sfkfr kIqf hY, ijvyN ieh sB kuJ iehdf awKIN izwTf hY. pRqwK hY ik ies kfivk klpnf dI pRyrxf pfÈ dI kivqf hY.

pYNhT-ku siÌaF df dUsrf nftkI KMz qlvMzIEN inkÜ bMgy nvyN Èihr vl pfÈ dy cMzUÉfny

dy hmipaflf dosqF nfÜ Èrfb dIaF mihÌlF df suafdlf ibafn hY, ijhdI iewko gMZ ieh hY ik

awqvfdI ivcfrDfrf – BfvyN Auh ‘swjI’ hovy qy BfvyN ‘KwbI’ – cMgy Bly bMdy df hulIaf ivgfV idMdI

hY. ies ivc keI aYsIaF gwlF hn, jo pfÈ dy sikaF aqy Auhdy ÈrDflUaF df idl duKfAuxgIaF.

ies bfry pfÈ df nyVlf dIp klyr kihMdf hY:

pfÈ dy mrn bfad nkslIaF ny Auhdf ibMb eydF df bxf idwqf hY, ijvyN ik Auhdy

iek hwQ ivc Cy goÜI df psqOl hovy, dUjy hwQ ivc lfl JMzf aqy hr vyly ieh

krdf iPrdf hovy: asIN lVFgy sfQI. asIN lVFgy.

jsvMq KtkV koÜoN bVy jqnF nfÜ pfÈ dIaF icwTIaF kZvfAux df ibafn bVf hsfAuxf hY

aqy pfÈ dI jsvMq dI ‘bfeI mMjIaF’ nF dI qukbMdI dI ilKI BUimkf ivc mhIn ivaMg qy mKOl qF

hY hI, pr nfÜ hI pfÈ dy hox df ieh pwK vI Aujfgr huMdf hY ik Auh iksy hflq ivc ÈrIk huMidaF

vI Aus qoN ikvyN axiBwj rihMdf sI. iehI iehdI iËMdgI qy kivqf dI jfc hY.

qIsry KMz dIaF ‘gurbIr isMG’ dIaF gwlF ivc pfÈ dI kivqf df Gwt aqy bfhÜf nkslI

qy ÉfilsqfnI isafsI lihr df Éulfsf kIqf hoieaf hY; ijnHF qoN pIiVq isrÌ pfÈ hI nhIN, sfrf

pUrbI pMjfb hoieaf aqy ijnHF lihrF dy shI jF Êlq hox dI bihs kdy isry nhIN lwgxI.

rfijMdr rfhI df ikqfb dy ÈurU c pfÈ nfÜ idKfieaf qyhu qIsry KMz c lfg ivc bdl

jFdf hY. ikqfb df lyKk ‘gurbIr isMG’ dI iDr bxky boldf hY, qF hI qIh sÌy Auhdy lyKy lfey

hn. ‘gurbIr isMG’ (asl nF nhIN) afp nkslI lihr df afgU irhf aqy iehdy Kfqy kuJ ‘jmfqI

duÈmxF’ dy kIqy kql vI pYNdy hn. ikqfb ivc drj iehdIaF gwlF df incoV ieh hY: dohvyN lihrF

dhÈqgrd sn. pfÈ dy idmfÊ ivc ‘bhuq vwzf ivgfV’ pY cuwkf sI. ÉfilsqfnI lihr smUh iswK

BfeIcfry (Èbd ‘kOm’ ikAuN nhIN vriqaf?) dI lihr sI. ieh ies lihr df ‘ivcfrDfrk’ ivroD

krdf afKdf hY ik agilaF ny pfÈ pwzy rvI sumIq dy nhwky kql kIqy. ik sfrI aÜsyt

bhuigxqI ihMdUaF qy GtigxqI iswKF dI hY. nkslIaF ny aYvyN ÉfilsqfnIaF ƒ apxy gÜ pf ilaf,

ienHF ƒ qF iekwTy ho ky ‘idwlI’ dy iÉlfÌ lVnf cfhIdf sI. pfÈ ieMdrf lfly jgq nfrfiex byaMq

isMG dI styt XfnI idwlI drbfr dy hwk c Bugiqaf. ‘gurbIr isMG’ aqy ikqfb df lyKk cMzIgVH

vfÜI pRYWs klwb ivc bYTy bIar pINdy pfÈ dI kivqf bydÉlI leI ibnYpwqr rÜ ky pVHdy qF hn,

pr pfÈ dI DrmdIkÈf leI ibnYpwqr vfÜI kivqf dI gwl nhIN krdy. mfrksvfdI ‘gurbIr isMG’

df ieh aklpfrf vI iDafnjog hY ik jwt qy ‘qKfx’ dI dosqI nhIN ho skdI. (sÌf 135). ÈRyxI

GoÜ qy bhu-Dfrimk kOmIaq dy sMboD ƒ ivsfridaF ‘gurbIr isMG’ ieh vI afKdf hY ik ijnfh

apxI dUraMdyÈI nfl pfiksqfn bxf igaf. ‘gurbIr isMG’ Byq KolHdf hY ik mfEvfdI pfÈ ƒ jfnoN

mfrn leI iqafr ho gey sn, ikAuNik ieh sMn 1973-75 dOrfn AunHF dy afKy c nhIN sI irhf.

(sÌf 118). ‘gurbIr isMG’ kuJ isafxIaF gwlF vI krdf hY; ijvyN ik ÊdrI, bwbr qy Bgq isMG

dIaF ‘dhÈqgrd’ lihrF vfÜI nYiqk suwcqf ÉfilsqfnI lihr ivc hY nhIN sI.

ikqfb c ieh vyrvf hoxf cfhIdf sI ik pfÈ-ikaF dI jwdI QF mfJy df ipMz afsÜ BUrf hY.

ienHF df koeI vwzf AuWnIvIN sdI dy ÈurU c koeI kfrf krky duafby dy ies ipMz c af ky vwisaf sI.

pfÈ ny mYƒ dwisaf sI ik kMzy df ËÉm kivqf iehny Aus vzyry ƒ icqvidaF ilKI sI. Aus qoN vI

ipCFh jfxf hovy, qF hirduafroN pqf lg skdf hY.

rfijMdr rfhI dI ieh ikqfb sMn 1970-1990 dy pUrbI pMjfb dy do dhfikaF df smfjI-

isafsI ieiqhfs hY. ieh pMjfbI bMdy qy pfÈ ƒ smJx dI kuMjI hY. sMjm, vyg qy dlIl rfijMdr

rfhI dI ilKq df sfr hY. ikMnf cMgf hovy, jy rfhI eyny hI ipafr nfÜ lfl isMG idl dI ikqfb vI

ilK dyvy. ..

pMjfbI itRibAUn

13 04 2008


2 Responses to “Amarjit Chandan’s review of Rajinder Rahi’s book about Paash”

  1. kulwinder Says:

    kihra font hai

  2. kulwinder ji ,

    It is in CHATRIK FONT

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: